Industries · Film Production
Set security that keeps up with the schedule.
Locations change, call times move, and the shoot runs long. Book officers the way productions actually work.
Per-location, per-day shifts
Each location day is its own shift with its own call time. When the schedule changes, update the shift, not a phone tree.
Traffic and lockups with authority
Street closures and pedestrian control go smoother when the person holding the line is a vetted officer.
Clean records for the PO
Every shift is documented: who, where, hours, rate. Ready for production accounting without chasing paper.
How it works
Create. Approve. Fill.
01
Create per location day
Each shoot day is its own shift: location, call time, wrap estimate, positions needed (lockups, equipment, traffic). Submit for approval.
02
Approve, post, watch fills
Coordinator sets rates. You approve and post. Officers claim; you track fill status as the day plan changes.
03
Wrap with the paperwork done
Hours per officer per day, itemized for production accounting. The PO backup exists before anyone asks.
Common questions
Can officers handle street closures and traffic for exterior shoots?
Traffic posts are common for productions, and vetted officers carry the authority drivers respect. Permit requirements vary by jurisdiction; align shifts with what your permit specifies.
Our schedule changes daily. How does that work?
Each location day is its own shift, so changes are edits, not renegotiations. Officers who already claimed see updates immediately.
Can we keep the same officers for a multi-week shoot?
Officers who know the set often claim subsequent days. You watch the roster as claims land; you do not assign officers from a private shortlist in the product.
Your next shift, covered.
Tell us about your film production coverage and we will walk you through how it works on illuno — one short call.